Burn, swan, burn
The destruction of Angela Carter's magic toyshop
Résumé
Patriarchy has not only set parameters to the behavior of women, but also acceptable – and therefore deviant – forms of masculine performance. In her essay The Sadeian Woman, Angela Carter develops her argument that patriarchy is an oppressive system by excellence that sustains the idea of a dominant one over a submissive other. Although those positions are usually respectively occupied by men and women, that is not a systematic demand. And even so, the dominant figure is also controlled by the strings of performative expectations. Her script The Magic Toyshop fictionalizes those ideas and opens up a possibility of disruption of these paradigms.
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Références
BUTLER, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge Classics, 2007.
CARTER, Angela. The Sadeian Woman: and the ideology of pornography. New York: Henry Holt, 1996.
______. The Magic Toyshop. In: ______. The Curious Room: collected dramatic works. 2 ed. Mark Bell (ed.). London: Vintage, 1997.
FOUCAULT, Michel. The History of Sexuality: Volume 3: The Care of the Self. London: Penguin Classics, 2020.
HOLTER, Øystein Gullvåg. Social Theories for Researching Men and Masculinities: Direct Gender Hierarchy and Structural Inequality. In: Kimmel, Michael S.; Hearn, Jeff; Connell, R. W. (ed). Handbook of Studies on Men & Masculinities. Thousand Oaks: Sage Publications, 2005.
hooks, bell. Feminism is for Everybody: Passionate Politics. Cambridge: South End Press, 2000.