Art as expression of life as the will of power in Friedrich Nietzsche
DOI:
https://doi.org/10.31977/grirfi.v20i2.1726Keywords:
Friedrich Nietzsche; Art; Will to Power.Abstract
This article seeks to investigate art as an emblematic example of life as will to power, from the perspective of Friedrich Nietzsche. According to Nietzsche life is a constant creating and recreating without a pre-defined teleology. It is precisely this aspect that art expresses a more transparent way what life is therefore art is precisely the process of creation and recreation without a purpose beyond creation itself. The art from the perspective of the artist is always unfinished and so he continues to create, is as if the artist somehow would capture what life is, and reveal it in their art and in the creative process. The art besides being like everything else, moved by the will to power, to the extent that she herself is a constant drive by creating, reveals a very peculiar way the pathos that is life as will to power that always surpasses herself . Therefore, to realize the true artist against the current world how content and content as form, realizes the inverted world, and in this reversal look allows play with life, creating and transforming the current New. Furthermore, to the extent that the figures are contrasted by a necessary one photographer to support the existence, for the inversion of true reality is a reality in its many situations created. Criticized the values exemplified by the action of the artist's conception of truth inaugurated by Socratic and Platonism, which in a way is based on a kind of deification of the rational concept. Our Philosopher explicit reversal of Platonism asserts that the truth-conceptual-rational metaphysics has less value than the irrationality of artistic pathos.
Downloads
References
AGOSTINHO, Santo. O espírito e a letra. Trad. de Agustinho Belmonte. São Paula: Paulus, 1998.
AGOSTINHO, Santo. Trindade. Trad. de Arnaldo do Espírito Santo; Lucas Dias; João Beato. São Paulo: Paulinas, 2007.
ARISTÓTELES. Ética a Nicômaco. Trad. de Leonel Vallandro. São Paulo: Abril Cultural, 1973.
MOLINARO, Aniceto. Léxico de metafísica. Trad. de Benôni Lemos. São Paulo: Paulus, 2000.
MORA, José Ferrater. Dicionário de filosofia. Trad. de Maria Stela Gonçalves. São Paulo: Loyola, 2001.
MOURA, Carlos Alberto de. Nietzsche: Civilização e cultura. São Paulo: Martins Fontes, 2005.
NIETZSCHE, Friedrich Wilhelm. Assim falou Zaratustra: um livro para todos e para ninguém. Trad. de Mário da Silva. Rio de Janeiro: Bertrand Brasil, 1995.
NIETZSCHE, Friedrich Wilhelm. Além do bem e do mal: prelúdio de uma filosofia do futuro. Trad. de Márcio Pegliesi. Curitiba: Hemus Livraria, 2001.
NIETZSCHE, Friedrich Wilhelm. Além do bem e do mal: prelúdio a uma filosofia do futuro. Trad. de Paulo César de Souza. São Paulo: Companhia das Letras, 1997.
NIETZSCHE, Friedrich Wilhelm. A vontade de poder. Trad. de Marcos Sinésio Pereira Fernandes; Francisco José Dias de Moraes. Rio de Janeiro: Contraponto, 2008.
NIETZSCHE, Friedrich Wilhelm. A origem da tragédia: proveniente do espírito da música. Trad. de Erwin Theodor. São Paulo: Ebooksbrasil, 2006.
PLATÃO. A república. Trad. de Maria Helena da Rocha Pereira. Lisboa: Fundação Calouste Gulbenkian, 2007.
PLATÃO. Protágoras. Trad. de Edson Bini. São Paulo: Edipro, 2007.
REALE, Giovanni. História da filosofia antiga. Trad. de Henrique Cláudio de Lima Vaz. São Paulo: Loyola, 1993.
REALE, Giovanni. História da filosofia antiga. Trad. de Henrique Cláudio de Lima Vaz. São Paulo: Loyola, 1994.
THEODOR, Erwin. Prefácio. In: NIETZSCHE, Friedrich. A origem da tragédia: proveniente do espírito da música. São Paulo: Ebooksbrasil, 2006.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Ricardo Evangelista Brandão
This work is licensed under a Creative Commons Attribution 4.0 International License.
The authors who publish in Griot: Revista de Filosofia maintain the copyright and grant the magazine the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 International License, allowing sharing and adaptation, even for commercial purposes, with due recognition of authorship and initial publication in this journal. Read more...